
Ó¢ÎÄÆ¬Ãû£ºDonizetti – Lucia di Lammermoor
ÖÐÎÄÆ¬Ãû£º¸è¾ç£ºÀÃÀζûµÄ¶ç÷ÑÇ (2016)
Àà ÐÍ£ºÒôÀÖ
µØ Çø£ºÃÀ¹ú
Îļþ´óС£º40.12 GB, À¶¹âÔÅÌ 1080i
Îļþ¸ñʽ£ºBDMV/AVC
Òô ¹ì£ºÒâ´óÀûÓï DTS-HDMA 5.1
×Ö Ä»£ºÓ¢ÎÄ
Diana Damrau¡¯s reputation as the world¡¯s leading coloratura soprano has been built on her extraordinary technical virtuosity, her sensitive musicianship and her acute psychological insight. In Katie Mitchell¡¯s sometimes radical production of Lucia di Lammermoor from the Royal Opera House, she is, as the Financial Times wrote, ‘brilliantly convincing’. Award winning director Katie Mitchell took a revisionist APProach to the drama, updating the action to the mid-19th century and applying a feminist slant as she added new and unexpected elements. Mitchell also made extensive use of a ¡®split screen¡¯ effect on the stage, counterpointing two different pieces of action at key moments.

![¼Í¼Ƭ¡¶¸ßËÙÔËת Runs Good¡·[1080P][µÚ2¼¾¹²10¼¯ Ó¢ÓïÖÐ×Ö][°Ù¶ÈÍøÅÌ]](?wp-content/uploads/2025/08/1754013445-de0bac57b71e162.jpg)
![¼Í¼Ƭ¡¶ÌìÌìÔ½Ò° Dirt Every Day¡·[1080P[µÚ9¼¾¹²13¼¯ Ó¢ÓïÖÐ×Ö][°Ù¶ÈÍøÅÌ]](?wp-content/uploads/2025/09/1757667849-10ec83a8475a69f-300x200.jpg)
![¼Í¼Ƭ¡¶Ð¡Ð¡ÊÀ½çTiny World¡·[1080P][µÚ¶þ¼¾ ¹²6¼¯ Ó¢ÓïÅäÒôÖÐÎÄ×ÖÄ»][°Ù¶ÈÍøÅÌ]](?wp-content/uploads/2025/12/1765759071-3233a2b3f70557a.png)
![[BDÅ·ÃÀÑݳª»á][ƽ¿Ë¡¤¸¥ÂåÒÁµÂ Pink Floyd – P. U. L. S. E. Live at Earls Court 1994 (2022)][BDMV 2BD][62.3GB][°Ù¶ÈÍøÅÌ]](?wp-content/uploads/2024/07/1721013777-3c7d3bb853fead0-300x200.jpg)